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  • [2025-04-24 Thu 23:21]

Poetry ์‹œ

Topics ์ฃผ์ œ๋“ค

1. The nature of poetry: its distinction from other arts - ์‹œ์˜ ๋ณธ์งˆ: ๋‹ค๋ฅธ ์˜ˆ์ˆ ๊ณผ์˜ ๊ตฌ๋ณ„์ 

a. The theory of poetry as imitation: the enjoyment of imitation - ์‹œ ์ด๋ก ์œผ๋กœ์„œ์˜ ๋ชจ๋ฐฉ: ๋ชจ๋ฐฉ์˜ ์ฆ๊ฑฐ์›€

b. The object, medium, and manner of imitation in poetry and other arts - ์‹œ์™€ ๋‹ค๋ฅธ ์˜ˆ์ˆ ์—์„œ ๋ชจ๋ฐฉ์˜ ๋Œ€์ƒ, ๋งค์ฒด, ๊ทธ๋ฆฌ๊ณ  ๋ฐฉ์‹

2. The origin and development of poetry: the materials of myth and legend - ์‹œ์˜ ๊ธฐ์›๊ณผ ๋ฐœ์ „: ์‹ ํ™”์™€ ์ „์„ค์˜ ์žฌ๋ฃŒ

3. The inspiration or genius of the poet: the influence of the poetic tradition - ์‹œ์ธ์˜ ์˜๊ฐ ๋˜๋Š” ์ฒœ์žฌ์„ฑ: ์‹œ์  ์ „ํ†ต์˜ ์˜ํ–ฅ๋ ฅ

4. The major kinds of poetry: their comparative excellence - ์ฃผ์š” ์‹œ์˜ ์ข…๋ฅ˜: ๊ทธ๋“ค์˜ ๋น„๊ต ์šฐ์ˆ˜์„ฑ

a. Epic and dramatic poetry - ์„œ์‚ฌ์‹œ์™€ ๊ทน์‹œ

b. Tragedy and comedy ๋น„๊ทน๊ณผ ํฌ๊ทน

5. Poetry in relation to knowledge - ์ง€์‹๊ณผ ๊ด€๋ จ๋œ ์‹œํ•™

a. The aim of poetry to instruct as well as to delight: the pretensions or deceptions of the poet as teacher 41 ^ - ์‹œ์˜ ๋ชฉ์ ์€ ์ฆ๊ฒ๊ฒŒ ํ•˜๋Š” ๊ฒƒ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๊ฐ€๋ฅด์น˜๋Š” ๋ฐ ์žˆ๋‹ค: ๊ต์‚ฌ๋กœ์„œ ์‹œ์ธ์˜ ์ฃผ์žฅ์ด๋‚˜ ๊ธฐ๋งŒ 41 ^

b. Poetry contrasted with history and philosophy: the dispraise and defense of the poet - ์‹œ์™€ ์—ญ์‚ฌ ๋ฐ ์ฒ ํ•™์˜ ๋Œ€์กฐ: ์‹œ์ธ์— ๋Œ€ํ•œ ๋น„๋‚œ๊ณผ ์˜นํ˜ธ

6. Poetry and emotion ์‹œ์™€ ๊ฐ์ •

a. The expression of emotion in poetry - ์‹œ์—์„œ ๊ฐ์ •์˜ ํ‘œํ˜„

b. The arousal and purgation of the emotions by poetry: the catharsis of pity and fear - ์‹œ์— ์˜ํ•œ ๊ฐ์ •์˜ ๊ฐ์„ฑ๊ณผ ์ •ํ™”: ์—ฐ๋ฏผ๊ณผ ๋‘๋ ค์›€์˜ ์นดํƒ€๋ฅด์‹œ์Šค

7. The elements of poetic narrative - ์‹œ์  ์„œ์‚ฌ์˜ ์š”์†Œ๋“ค

a. Plot: its primacy; its construction - ํ”Œ๋กฏ: ๊ทธ ์šฐ์„ ์„ฑ; ๊ทธ ๊ตฌ์„ฑ

b. The role of character: its relation to plot - ์ธ๋ฌผ์˜ ์—ญํ• : ํ”Œ๋กฏ๊ณผ์˜ ๊ด€๊ณ„

c. Thought and diction as elements of poetry - ์‹œ์˜ ์š”์†Œ๋กœ์„œ์˜ ์‚ฌ์ƒ๊ณผ ํ‘œํ˜„

d. Spectacle and song in drama - ์—ฐ๊ทน์—์„œ์˜ ๊ด‘๊ฒฝ๊ณผ ๋…ธ๋ž˜

8. The science of poetics: rules of art and principles of criticism - ์‹œํ•™์˜ ๊ณผํ•™: ์˜ˆ์ˆ ์˜ ๊ทœ์น™๊ณผ ๋น„ํ‰์˜ ์›๋ฆฌ

a. Critical standards and artistic rules with respect to narrative structure - ์„œ์‚ฌ ๊ตฌ์กฐ์— ๊ด€ํ•œ ๋น„ํ‰ ๊ธฐ์ค€๊ณผ ์˜ˆ์ˆ ์  ๊ทœ์น™

1) The poetic unities: comparison of epic and dramatic unity - ์„œ์‚ฌ์‹œ์™€ ๊ทน์  ํ†ต์ผ์„ฑ์˜ ๋น„๊ต: ์‹œ์  ํ†ต์ผ์„ฑ
2) Poetic truth: verisimilitude or plausibility; the possible, the probable, and the necessary - ์‹œ์  ์ง„์‹ค: ๊ทธ๋Ÿด๋“ฏํ•จ ๋˜๋Š” ๊ฐœ์—ฐ์„ฑ; ๊ฐ€๋Šฅํ•œ ๊ฒƒ, ๊ทธ๋Ÿด ๋ฒ•ํ•œ ๊ฒƒ, ๊ทธ๋ฆฌ๊ณ  ํ•„์—ฐ์ ์ธ ๊ฒƒ
3) The significance of recognitions and reversals in the development of plot - ํ”Œ๋กฏ ์ „๊ฐœ์—์„œ ์ธ์‹๊ณผ ๋ฐ˜์ „์˜ ์ค‘์š”์„ฑ

b. Critical standards and artistic rules with respect to the language of poetry: the distinction between prose and verse; the measure of excellence in style - ์‹œ ์–ธ์–ด์— ๊ด€ํ•œ ๋น„ํ‰ ๊ธฐ์ค€๊ณผ ์˜ˆ์ˆ ์  ๊ทœ์น™: ์‚ฐ๋ฌธ๊ณผ ์šด๋ฌธ์˜ ๊ตฌ๋ณ„; ๋ฌธ์ฒด์˜ ์šฐ์ˆ˜์„ฑ ์ฒ™๋„

c. The interpretation of poetry - ์‹œ ํ•ด์„

9. The moral and political significance of poetry - ์‹œ์˜ ๋„๋•์  ๋ฐ ์ •์น˜์  ์ค‘์š”์„ฑ

a. The influence of poetry on mind and character: its role in education - ์‹œ๊ฐ€ ์ •์‹ ๊ณผ ์ธ๊ฒฉ์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ: ๊ต์œก์—์„œ์˜ ์—ญํ• 

b. The issue concerning the censorship of poetry - ์‹œ ๊ฒ€์—ด์— ๊ด€ํ•œ ๋ฌธ์ œ